28.5

Large (38.5 x 28.5), gallery-framed, Christine Rosamond lithograph titled “Simone”, circa 1976. Hand-signed in pencil in two places: to the left bottom “To Stan and Cindy” and to the right above the typical Rosamond print, pencil signature “Rosamond.” This piece is framed in a green and gold color with double mats of blue and white. Measure on litho inside matting is 20 x 30. No limited edition print number and what is under matting or frame backing is unknown. There is some puckering at the top (see photo) which should be resolved by rematting, otherwise in wonderful condition. “In 1972 at an art street bazaar in Los Angeles, a shy young artist, entirely self-taught, displayed her first two oil paintings. Within six months she achieved national acclaim. Those of you who may not recognize her name will recognize her style. By 1976 she had become the most published artist in the world eclipsing such legendary artists as Norman Rockwell and Salvadore Dali. Her published works sold in the millions – more than any other artist dead or alive. Thus, it is said that she met with historical notoriety and overnight success. At the age of 25, Rosamond was a major player in the art world, and one of few women ever to succeed in it. Rosamond’s next step was to form her own publishing and distribution company in order to have greater control of her artistic decisions. Soon after the first lithographs were published under her own company, Rosamond spent four months in Paris where she completed four new lithographs with the prestigious Atelier Mourlot. These Parisian works are still available and titledThe Observations Suite.Since 1974 Rosamond has published over 40 limited editions and the plan is to continue to publish the late artist’s works. Her paintings, noted for their negative space, economy of line and purity of subject matter immediately struck a chord with the public. The portraits, while often serene, evoke a deeper response from the viewer. Her style provides the opportunity in each piece for the viewer to create from their own experience.Many of those who have known Rosamond have recounted their memories of the artist whose eyes sparkled with candor, tenderness, wit and vision. What emerges from these recounted memories is a profile of a compassionate individual with a child-like spirit, who had overcome her challenges and created from the heart.On March 26, 1994 the world lost this treasured artist on the rocky coast of the Pacific Ocean where she was swept out to sea and drowned at the age of 46. Rosamond’s artistic legacy is preserved forever in her works, which eloquently express the essence of the feminine spirit. Rosamond launched a career that remains as dynamic today as it was in 1972. There is something in their eyes, a depth that leaves the viewer wanting to know more… more about the image, the artistry, and the artist. Christine Rosamond painted women, often a vision of herself, possibly because she understood them best, yet perhaps to understand them better.”